Monday, May 4, 2020

DRY SEPTEMBER as a short story.


4th Semester ENG HONS
CEH 10: American Literature
William Faulkner “Dry September”


Dry September as a short story
 A short story is a brief work of prose fiction, and most of the terms for analyzing the component elements, the types, and the narrative techniques of the novel are applicable to the short story as well. As in the novel, the plot form may be comic, tragic, romantic, or satiric; the story is presented to us from one of many available points of view; and it may be written in the modes of fantasy, realism, or naturalism.
The short story differs from the novel in the dimension that Aristotle called “magnitude”, and this limitation of length imposes difference both in the effects that the story can achieve and in the choice and elaboration of the elements to achieve those effects. Edgar Allan Poe, who is sometimes called the originator of the short story as an established genre, was its first critical theorist as well. He defined what he called “the prose tale” as a narrative which can be read at one sitting of from half an hour to two hours, and is limited to “a certain unique or single effect” to which every detail is subordinate.
William Faulkner’s Dry September is a short story. It consists of all the basic features of a short story like limited time frame, tightness of the form etc. Dry September introduces a limited number of persons as oppose to a novel as it cannot afford space for leisurely analysis and sustains development of character, and cannot develop as dense and detailed as a novel does. Faulkner begins the story of Dry September close to or even at the verge of the climax to minimize both prior exposition and the details of the setting. It helps to keep the complication down and clear up the conclusion quickly. In a short story the central incident of the story is selected to manifest as much as possible of the protagonist’s life and character, and the details are devised to carry maximum import for the development of the plot.
 Dry September too starts abruptly with a rumour that Will Mayes, a black man has raped a Southern American woman called Minnie Cooper. This rumour has spread like a fire on a dry grass within no time and has spread the feeling of hatred among the white folks especially. All expect Hawkshaw believes Minnie’s accusation without giving any chance to Will Mayes to prove his innocence. The story then describes Minnie Cooper’s characterisation. Here the author allows the reader to judge closely what kind of woman Minnie is and should her statement alone be trusted or not. She has often been seen as flirting and trying to find a husband in spite of being no longer young. She gains no popularity among men and is quite invisible to them as she is getting old. Social norms and her own sexual repression make her vulnerable and she commits a heinous act of blaming an innocent. The story on the other hand, continues with the scene in the barber shop where the white folk under the leadership of John Mclendon gets angry on Will Mayes. Hawkshaw tries to stop them but they hunt down Will Mayes and kills him. Here the fact that a white woman can never lie and a black man can never be innocent is highlighted as the main wrong concept that Southern American people holds on to. A major racist opinion and prejudice can be seen on the victimization and murder of Will Mayes. This is also the major theme around which the story lies. Later on the next episode we see the different acceptation of Minnie Cooper in the society, she is no longer invisible. All men’s eyes are on her and she too enjoys their gaze. The author here tries to shown Minnie as a victim of women protocol, how a woman is always under the pressure of being sexually appealing to men, how society looks under an unmarried woman of late age and how such women are despised in social gathering for lacking womanliness.  But Minnie too cannot hide her sin and goes through a mental breakdown while watching movie. The reality of her situation and the weight of her lie causing someone’s death makes her unstable mentally. The story concludes with another episode where we know the angry headed John Mclendon is a ruthless man. He exhibits his anger and racists behaviour as a substitute to feel powerful and to overcome his own failure in life. 
Dry September is a great work of art where Faulkner showcases  most prevailing social evil like racism and its cause and consequences.